By Evan Beswick, published 21 August 2011Observation, without the comedy
By Evan Beswick, published 21 August 2011A shoddy, slapdash hour
By Evan Beswick, published 21 August 2011An innovative format tailor-made for the hugely personable and charismatic dandy
By Stevie Martin, published 21 August 2011Thought-provoking and searingly sharp observations on the decline of America
By Julian Hall, published 21 August 2011Perhaps there is hope for the future – but, for now, this is tosh
By Matthew Macaulay, published 21 August 2011Talented dramatist Pip Utton takes on literary legend Charles Dickens
By Ben Judge, published 21 August 2011Cringeworthy, but surprisingly entertaining
By Amy Taylor, published 21 August 2011A thoughtful one man show that questions the effects of 9/11 on contemporary society
By Malcolm Jack, published 21 August 2011Trundles by, without much form or enthusiasm
By Yasmin Sulaiman, published 21 August 2011Told in the style of a traditional ballad but set in the present day, this is one of David Greig's most triumphant plays
By Joe Spurgeon, published 21 August 2011It's anarchic, satirical, livewire fun – just as the Fringe should be
By Julian Hall, published 21 August 2011A good defence of cerebral pursuits, lacking a consistent rhythm
By Ben Judge, published 21 August 2011An interesting premise quickly gives way to some rather unimpressive dance and physical theatre
By Edd McCracken, published 21 August 2011A generous and hugely enjoyable peek inside one breathless night in Cardiff's gay scene 
By Stevie Martin, published 21 August 2011An excellent production exploring the many facets of masculinity with a strong cast spanning across the ages
By Paul Burch, published 21 August 2011An exciting and thought-provoking piece of theatre, examining the impact of war and the universality of grief
By Junta Sekimori, published 21 August 2011Strikingly elegant in its execution, this is more a demonstration of technique than a tale of anything in particular
By Marcus Kernohan, published 21 August 2011Charmingly shambolic, but light on substance
By Joe Bunce, published 21 August 2011Bette Davis and Joan Crawford's feud is vividly depicted in this surreal deathbed comedy
