Adam & Eve and Steve

★★★
music review | Read in About 2 minutes
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Adam & Eve and Steve
Published 14 Aug 2016

Hyperbole is a wonderful thing – Edinburgh's gutters run with it. According to the PR this musical comes from a "sellout season in Los Angeles" – actually a four and a half week run in a 46-seat venue very much the wrong side of the Hollywood Hills. It is a delightful curiosity, though, in the sense that it's a show deliberately aiming at a long life on college and festival circuits rather than having eyes on the prize of Broadway or the West End.  

That doesn't make it bad, even if its composers Chandler Warren and Wayne Moore pace the same musical corridors as Jason Robert Brown or Ahrens & Flaherty. This boutique piece is played with the lightness of pantomime, making it a wholly enjoyable outing.

In this Eden project, an impossibly winsome and Welsh Adam—a fine performance of masculine innocence by Guildford student Joseph Robinson that should guarantee him Prince Charmings and Aladdins till he's as old as Darren Day—is torn between a bromance with Devil-created Steve and fecundity with Hayley Hampson's rather coarse and chavvy Eve. This being musical theatre, despite the audience clearly willing the boys to get together, he finally nests in the lady garden.

Stephen McGlynn has infectious joy chewing the scenery as an outrageous Beelzebub and, despite their rivalry, God and the Devil do a reflective soft-shoe routine, reminiscent of Lola and Mr Applegate in Damn Yankees.  No deep insights, but lots of fun all the same.